A battle of wills and wits ensues: Parker attempts to play the hit men off one another, suggesting to Braddock that Myron’s inexperience makes him unreliable and then planting the notion with Myron that Braddock is losing his nerve.
The crown jewel of this collection, Humberto Solas’s 1968 epic Lucía follows three different women named Lucía at transitional moments in Cuban history: 1895, 1932, and an unidentified year in the 1960s. When negatives are in immaculate condition, as is the case of Lucía and Soleil Ô, the result is a revelation: These 4K transfers are flawlessly assembled and color graded, with Lucía’s image detail especially of note for its depth of field, clarity in close-ups, and sharpness. I did read the book many years ago but now can't remember it enough to compare it to the movie. (And a modern transfer does nothing to dispel the power of the film’s make-up effects.) This spirit continues in the 20-minute behind-the-scenes featurette, in which recent interview footage with Ross reveals her new Janet Jackson makeover. The titular substance takes on a literal, material function in regards to reconstruction, specifically the building of a road around the air force base. Another famous life used and abused to suit a star name! (This pattern is an early sign of Lynch’s strange classist streak; the people unable to transcend their biases about Merrick are, with rare exception, blue collar.) He clarifies that many Jewish groups disagreed with claims made against the film, as the scene in question clearly aims to sympathize with the former concentration camp prisoner after a racial slur is hurled in his direction. Finally, there’s a foldout booklet with an essay from Graham Fuller, who contextualizes The Hit as a British gangster film, a road movie, and a philosophical character study. At first blush, the film was considered a great one in some quarters. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. Thriller That Lacks Self-Awareness, Review: The Third Day Leans Heavily on Mystery at the Expense of Human Drama, Review: We Are Who We Are Perceptively Homes in on the Malleability of Boundaries, Interview: Garrett Bradley on Exploring Human Dimensionality in Time, The 75 Best Horror Movies of the 21st Century, Watch: Lady Gaga’s “911” Music Video Is a Surreal Death Dream, On the Rocks Trailer: A Father-Daughter Journey Through the City that Never Sleeps, Listen: Dua Lipa Elevates “Levitating” with Help from Madonna and Missy Elliott, Review: Billie Eilish’s “My Future” Is an Unexpectedly Upbeat Tribute to Isolation, Taylor Swift Drops Surprise Album Folklore and Self-Directed “Cardigan” Video, Review: Sidney J. Furie’s The Ipcress File on KL Studio Classics Blu-ray, Blu-ray Review: Bong Joon-ho’s Parasite on the Criterion Collection, Blu-ray Review: Stephen Frears’s The Hit on the Criterion Collection, Review: Darren Aronofsky’s Requiem for a Dream on Lionsgate 4K Ultra HD, Review: Helmut Käutner’s Black Gravel on KL Studio Classics Blu-ray, In Ivo van Hove’s Hands, West Side Story’s Actors Are Mice in A Cinematic Maze, Review: Hamlet at St. Ann’s Warehouse Is a Triumph of Production Over Performance, Confessions of a Drag Legend: Charles Busch on The Confession of Lily Dare, Review: Timon of Athens Takes Arms Against the Ravages of Wealth, Under the Radar 2020: The Shadow Whose Prey the Hunter Becomes, Not I, & More, Bestiary Poetically Raises a Coming-of-Age Tale to the Level of Myth, Glenn Kenny’s Made Men: The Story of Goodfellas Is a Stellar Anatomy of a Film, The Appointment Is a Bitterly Comic Unburdening of a Conscience, For Stephen King, As Well As His Fans, If It Bleeds Is a Coming Home. And when Merrick is finally shown in full, through the point of view of a horrified nurse who walks into his London hospital chambers, we feel his shock, not hers, as he’s seen to be disturbed while enjoying a rare interlude of repose and comfort. One was, "Hmm, I thought the film was pretty good, but this guy seems to know what he's talking about". In an interview from 2007, Anna Karina discusses how her working relationship with Jean-Luc Godard gave her the opportunity to play very different characters from film to film, how they worked from a daily script installment, and how important her relationship with him was for her personal development.
Alcaff, Raquel Revuelta, Eslinda Núñez, Adela Legrá, Robert Liensol, Parviz Fanizadeh, Parvaneh Massoumi, Fernando Ramos da Silva, Marília Pêra Director: Juan Bustillo Oro, Usmar Ismail, Humberto Solás, Med Hondo, Bahram Beyzaie, Héctor Babenco Screenwriter: Juan Bustillo Oro, José Manuel Cordero, Asrul Sani, Humberto Solás, Julio García Espinosa, Nelson Rodríguez, Med Hondo, Bahram Beyzaie, Héctor Babenco, Jorge Durán Distributor: The Criterion Collection Running Time: 698 min Rating: NR Year: 1934 - 1980 Release Date: September 29, 2020 Buy: Video, Enter to Win DVDs of The Great, a Blu-ray of Back to the Future: Ultimate Trilogy, and More, Our Preview Section Is Your Most Complete Guide for All the Films Coming Your Way Soon, Review: Ham on Rye Is an Elegant, Grand Chronicle of a Chaos Foretold, We’re committed to keeping our content free and accessible—meaning no paywalls or subscription fees—so if you like what we do, consider becoming a SLANT patron, or making a PayPal. Enjoy! I would not have known otherwise how far apart the picture was from reality. Diana Ross and Billy Dee Williams light up the screen. Ross' depiction of Holiday is horrendously erroneous on every level. Due to the attentive sound mixing, we feel Merrick’s considerable pain, especially his labored breathing, even as he is invisible to us. Unfortunately, the biopic that did emerge thirteen years after Lady Day's demise proved to be a bad, bombastic film. The grain level is consistent and cinematic throughout, with the 4K exhibiting stronger color saturation and more accurate skin tones. As the characters near the French border, Parker recounts the legend of Roland and Olivier making their suicidal stand against the Saracens during the Battle of Roncevaux Pass in the Pyrenees, which they are just then traversing. Stephen Frears’s The Hit, which receives a fine 2K upgrade but no new bonus materials from Criterion, is an enigmatic, existential fable about crime and punishment.
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