One of the best films of Sundance 2019 is Scott Z. Burns ’ “The Report,” a government procedural about government-sanctioned torture in the ‘00s. document.write(new Date().getFullYear());
Gun was upset enough to leak the memo, a definite violation of the Official Secrets Act. “And we found out the truth is that he’s lying.”. Burns’ screenplay The Laundromat is currently in production, with Meryl Streep and Gary Oldman starring, Steven Soderbergh directing, and Burns producing. Meet us at Sushi Rox, we can listen on our Tek-Mate. Dan Jones (Adam Driver) is given a horrendous assignment. It’s the kind of turn that will be vastly underrated because of how much information Driver is forced to lay on the table in scene after scene, but he very subtly sells Jones’ mounting indignation at what he’s uncovering. Sure, it’s a very interesting chapter in British history, and a story that didn’t get nearly enough play in the American press, but that doesn’t inherently make for a good film. It does not yet have a release date. We spend the majority of the film with Daniel Jones (Adam Driver), a Senate staffer tasked with building a report on any potential abnormalities in how the CIA interrogated terror suspects after September 11. How do you get audiences to pay attention to a story about the crimes of the Bush administration, a feat many well-meaning filmmakers of the ’00s failed to pull off?
They haven’t found WMDs, and they’re asking the Brits to literally provide potential blackmail material against the countries in the U.N. Security Council who may oppose going to war until they do. As a character tells him late in the film, "They asked you to build a boat, but they had no intention of sailing it." In The Report, which is based in part on the 2007 Vanity Fair article “Rorschach And Awe” by Katherine Eban, Driver-as-Jones repudiates the notion that the information came from a prisoner at all. Already a subscriber? Beabadoobee’s Debut Album Is An Epic Film Score For Growing Up, Walton Goggins On ‘John Bronco,’ His Life And Career, And Running Through The House With A Pickle In Your Mouth, The ‘SNL’ You Remember Isn’t Coming Back Anytime Soon, The Greatest Food Porn Scenes In Cinema History — From Timpani To Big Kahuna Burgers — And What We Can Learn From Them, Iraqi-Canadian MC Narcy Explains The Danger Of Internet Deep Fakes, The Best Ways To Research Down Ballot Candidates And State Measures, Talking With NBA Veteran Al Harrington About Black Representation In Cannabis, Master Brewer Jaega Wise On Getting More Women Into The Beer Industry And Brewing During A Pandemic.
The United States asked the British surveillance team for dirt on countries who might vote against war. What Does It Take To Reopen A Hotel During The Pandemic? Hood can never figure out how to wrangle all of these narratives into one story, and he relies too heavily on cheap techniques like over-use of score and overwritten monologues. In crude terms, it might be viewed as a cross between Spotlight and The Post although I’d argue that it’s finer than both of those films, with its laser-tight focus resulting in an audacious unwillingness to entertain extraneous material.
Both shine lights into interesting chapters of recent history, but only one really works as entertainment as well. It’s a movie that largely takes place in the world of government bureaucracy that never forgets the human costs of their policy decisions. It depicts the White House protecting, and even promoting, torturers in the CIA — out of loyalty towards the CIA for killing Bin Laden and helping Obama win the election. There’s no heavy hand employed when dealing with the challenging subject matter and Burns also avoids letting anyone off the hook, placing blame for much of what happened and the fallout on both political parties. Most of this report was produced during the Obama Administration – which does not come off well, by the way, lest you worry the entire affair is too liberal-biased – and Obama ran on reaching across the aisle. Annette Bening, who plays Senator Dianne Feinstein in the film, joined Jones and Burns and some of the rest of the cast on stage, where she described meeting Feinstein and attending John McCain’s funeral. *Sorry, there was a problem signing you up. In Adam McKay’s Vice, the solution is to pile on as many metafictional tricks as possible, in the hope that with enough added sugar, even the most acidic abuses of power will go down smooth.
“The Report” deftly moves back and forth in time as Jones investigates the torture of prisoner after prisoner, using CIA communications and documents to produce what would become known as “The Torture Report.” And then he faces his biggest fight in trying to get the information he’s uncovered to the American public. Showcasing the creativity of short films, and supporting those who make them. The Report, a new film from writer/director Scott Z. Zero Dark Thirty sparked some debate over its depiction of torture when it was released, but also garnered plenty of awards attention, including Academy Award nominations for best picture, best actress for Jessica Chastain, and best original screenplay (it was also nominated for editing and won the Oscar for sound editing). It was a movie with five Oscar nominations that was, at best, neutral towards torture and extra-judicial assassination. Providing year-round support to a next generation of filmmakers. It portrays Obama staffers stalling the report and dragging their feet on prosecuting anyone, hanging the CIA’s dissenters out to dry in the process, in a naive interpretation of Obama’s campaign promise to be “post-partisan.” The Report presents this matter of factly, but it’s downright groundbreaking compared to the quasi-Sovietesque personality cult Obama usually inspires among filmmakers (see Barry, Southside With You).
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